What music do you write?

“Oh, you’re a composer. So, what kind of music do you write?” I’m often asked this question when meeting new people. It’s usually either preceded by, “so, what do you do,” or if they know I’m involved with music, “what instrument do you play.” To the latter, I usually playfully respond, “I play the composer.” “What … Continue reading

10 Favorite Books

Recently, I was asked to list 10 books that have left an impression on me. Many of the writers in the list are connected through common interests and influences. Rushdie, Eco, and Calvino were all influenced by Borges and are magical realists. Some have concerned their writings with expressing moral and social issues. They have not been afraid to … Continue reading

Uqbar: Confessions Part I (of II)

I often find myself charmed by olde things. I owe the discovery of Uqbar to the conjunction of a mirror and an encyclopedia. Late one night, as is often the perfect time for fantastic discoveries, I happened upon an obscure, lost country while searching articles on Mirrors. (The Mirror is an ongoing artistic fascination/project of mine. … Continue reading

Back in May, I was honored to have two pieces premiered during the 2014 Pittsburgh Festival of New Music. Trillium Ensemble opened Saturday’s concert with Conversations w/ Ligeti & Heidegger & Mom in the Background.  Listen to their premiere performance here: https://soundcloud.com/scottsteele/conversations-w-ligeti-heidegger-mom-in-the-background-1 Trillium has also performed and recorded Silent Spring by Mark Fromm. Also on the … Continue reading

Expanding the Repertoire: Glockenspiel Solos

Recently, I received a recording of my solo glockenspiel piece, the situation is…, performed by the commissioner of the work, Brett Dietz. Inspired to expand the repertoire, he has commissioned new glockenspiel works from many composers, including one of my former teachers David Stock. Brett’s mission is bold. As he stated in an article he recently wrote … Continue reading

Paranoid about androids: MIDI in Opera

A few weeks ago the New York Times published an article on a Connecticut opera company opting to replace its musicians with MIDI recordings. I don’t have a problem with a radical retake on a classic. It’s usually interesting whether I love it or despise it. I don’t mind if someone wants to try out electronic timbres … Continue reading

Reflecting on Percussion Lessons Today, I read an article featuring one of my former percussion instructors, Andrew Reamer. Andrew is the principal percussionist of the Pittsburgh Symphony Orchestra and a professor at Duquesne University. During my years at Duquesne, I had the pleasure of studying with him and Chris Allen, PSO associate principal percussionist. I … Continue reading

Thailand International Composition Festival Last year I had the pleasure of attending the Thailand International Composition Festival. It was a delightful time of meeting new friends, hearing fresh and exciting new music, sharing ideas and adventures, and eating a lot of great food!!! Next week marks the beginning of this year’s Festival. I send them … Continue reading

On the Pittsburgh Soundpike Tomorrow is the Pittsburgh Soundpike, a part of the Pittsburgh Festival of New Music. I’m honored to have two pieces on the program. My Conversations w/ Ligeti and Heidegger (and Mom in the Background) opens the program. It’s being exquisitely performed by Trillium Ensemble (http://www.trilliumensemble.com/), who commissioned the work. Duo Scordatura (http://www.duoscordatura.com/) will … Continue reading

The Avoidance of a Word (KC Performance) I composed The Avoidance of a Word for Music From China. We premiered the work last October in NYC. Toward the end of April, we performed the work again in Kansas City. https://soundcloud.com/scottsteele/the-avoidance-of-a-word-1